Regina Layug Rosero shares the thrills of her first time at an evening of comedic erotica performance.
Everyone has sex.
You don’t want to think about it. But your parents had sex. In Disney movies, the princess falls in love with the prince, and in the DVD release of the sequel, they have a baby.
In “A Sexier History of Time,” Timothy Dimacali explored the sex life of renowned physicist and author Stephen Hawking.
But he’s in a wheelchair, you protest. Ah yes, but he’s been married twice and has three kids. Of course he has sex. And his pillow talk may be littered with puns about large Hadron colliders and black holes.
Have more (deus) sex at Rappler.com. Published May 2015.
Mary Ann Marchadesch takes a look at what it means to be an Astigirl in this review of the book by Tweet Sering.
The 19thcentury American writer and philosopherHenry David Thoreauwent into the woods “because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.”[note]With Thoreau and herAstigirlmuse, Angelina Jolie, for inspiration, Sering ruthlessly (yet lovingly) dissects family relationships, past romances, and childhood ideals; she re-examines her adolescence through the filter of ten or so years; she embarks on new and terrifying adventures (entering writing contests, auditioning for theatre roles…energy therapy?To willingly subject yourself tothattakes some inner fortitude. Or maybe that’s just me) and comes out not only more aware of her limitations, but also of her strengths. With each essay in the collection Sering deftly and delicately skewers long-buried doubts and insecurities and by “going back to zero”, as she puts it, creates a new beginning for herself.
Basically, whatAstigirlis saying, with lovely bits of humor and touches of irreverence, is this: I chose to do this, I saw it through, I came out of it not necessarily unscathed, but definitely more aware of who I really am and what I really want to do. The unspoken challenge for the reader is: Are youastigenough to do that, too?
Paul Catiang’s inner foodie relishes each word in this restaurant review.
Imagine traditional Cantonese cuisine–its array of roasted meats, the preference for fresh ingredients, the minimalist approach to spices–traveling around Southeast Asia, picking up a culinary technique here, a local ingredient there. Imagine Cantonese cuisine with a collector’s hoard of Southeast Asian ingredients, and you’ll find yourself in Summer Palace, the EDSA Shangri-La’s treasure chest of international Chinese cookery.
Whet your appetite with the dim sum. You don’t expect to start off a sumptuous Chinese meal with something sweet, but the custard roll turns such notions on their head. An innocuous dim sum ball on the outside, it delivers a light yet creamy custard center. After that gentle shock, the menu returns to the familiar once again, with the scallop-and-shrimp and vegetable dumplings, elegant in their combination of the freshest ingredients.
This was originally published in Metro Magazine in August 2012.
Patricia Calzo Vega writes about the local art scene for GMA News Online.
Many of these vignettes were witnessed in transit, as he went about his daily routine: freelancing as an illustrator for publications, conducting painting workshops for street children and prison inmates, making the rounds of exhibits and art events.
Despite the summary nature of his observations, Borlongan’s paintings tease out the hidden emotional depths of his subjects: the fear and determination propelling a female office worker home, after pulling a late-night shift; the anxious optimism of bettors in line for lottery tickets, the blessed sleep of a carinderia owner after an honest day’s toil.
Precise shades of human expression rendered in the slightly distorted forms that is his trademark: the more disconcerting the distortions, the more resonant the emotions portrayed. Experts laud this as a prime example of the neo-figurative movement in Philippine art, a revival of formalism succeeding a period of abstract expressionism, but with a touch of social realism.