Patricia Calzo Vega examines the world of Lang Leav for Fully Booked Zine.
In stark contrast to the layered cultural references, the veneer of madcap and mayhem, and the polished finish of Akina’s world and her visual artworks, Leav’s verses are sparse, self-referential, and tentative (sometimes to the point of feeling incomplete). Like short verses scribbled off the cuff and sent off with nary a glance—a distinct possibility, given their social media origins; Leav was also known to respond to poem requests left in her ask box. Emily Dickinson is an acknowledged and quite obvious stylistic influence, and her partner, Michael Faudet—also an artist and poet—is both muse and collaborator.
Emotion it has in spades, and is laid bare for everyone to see. Love and Misadventure tackles the entire breadth of experience of a young person awakening to love: solitary musings of unrequited feeling, the comfort of phantom lovers, the transitory nature of relationships, the bitterness of heartbreak and regret, and, finally, the delirious joy of finding love and discovering its pleasures. Perhaps the experience of watching this story unfurl online, as Leav relived loves and imagined in verse, made readers invested in the outcome and seeing her happy ending.
Patricia Calzo Vega writes about the local art scene for GMA News Online.
Many of these vignettes were witnessed in transit, as he went about his daily routine: freelancing as an illustrator for publications, conducting painting workshops for street children and prison inmates, making the rounds of exhibits and art events.
Despite the summary nature of his observations, Borlongan’s paintings tease out the hidden emotional depths of his subjects: the fear and determination propelling a female office worker home, after pulling a late-night shift; the anxious optimism of bettors in line for lottery tickets, the blessed sleep of a carinderia owner after an honest day’s toil.
Precise shades of human expression rendered in the slightly distorted forms that is his trademark: the more disconcerting the distortions, the more resonant the emotions portrayed. Experts laud this as a prime example of the neo-figurative movement in Philippine art, a revival of formalism succeeding a period of abstract expressionism, but with a touch of social realism.
Film adaptations of bestselling books are great for discussions of popular culture. For 8List, Patricia Calzo Vega wrote about The Fault in Our Stars:
So it comes as no surprise that TFIOS is one of the most anticipated movies of 2014. Like teen movies before it, it’s about becoming the best person you can be, experiencing love for the first time, and dealing with the curveballs life throws at you. Unlike previous teen blockbusters, there’s nothing magical, supernatural, or herculean about its characters. They’re just a bunch of crazy kids who just happen to have “a touch of cancer.”
Book-to-film adaptations are notoriously difficult to navigate: staying true to the book may mean missing out on the added depth and dimension that an expanded movie universe can bring, while too many deviations from the story may alienate its original audience. Case in point: the movie tagline, “One sick love story,” was removed in later posters after Nerdfighters complained that it did not capture the essence of the story.